At 59, King Kazu Scores Twice—and Time Gives Way Again
At 59 years and 174 days, Kazuyoshi Miura converted two penalties as Fukushima United’s captain and became the oldest scorer in the Emperor’s Cup proper. The record is real. Its meaning becomes richer—not smaller—when the 7–0 score, amateur opposition, penalty kicks and his 58-minute role are kept in the same frame.
Read the long-form story →Four to Read First
A record at 59, molecular water, safer homes and an island of sound
Today’s 15 New Stories
Five sections · Three stories each
Business & Work
Stories 1–3
Is Toyama Short of Workers—or the Right Expertise?
Outside specialists enter recruiting, HR, process improvement and growth without a conventional relocation or hire.

Can Samurai Tax Eliminate the Tax-Free Double Entry?
A Square connection promises less double entry as small retailers prepare for Japan’s November refund reform.

From Swords to Startups: Why 230 Ideas Converged on Makinohara
Forty semifinalists emerge from a record 230 applications spanning 11 countries in a rural city built on tea.
Universities & Research
Stories 4–6
A Five-Ångström Relay: TUAT’s Proton Conductor Reaches 0.35 S/cm
Self-assembled water layers reached 0.35 S/cm at 30°C—about three times Nafion’s conductivity.

Weighing a Nucleus That Lives a Tenth of a Second
The first direct mass measurement of argon-50 tests how the N=32 shell weakens away from calcium.

The Brain’s Alarm for an Unexpected Sound
Clustered neurons amplify unexpected sounds; the circuit was weaker in a schizophrenia model.
Life & Society
Stories 7–9
The Homework Question That Could Strengthen a House
A 45-minute lesson and take-home worksheet turn seismic retrofitting into a family conversation.

The Castle Children Are Rebuilding, One Block at a Time
Children rebuild a lost gusuku block by block, turning local history and unanswered questions into a shared world.

Before the School Bell, a Second Shift
Training joins teachers, welfare and health professionals around whole-family support instead of fragmented referrals.
Sports
Stories 10–12
At 59, King Kazu Scores Twice—and Time Gives Way Again
At 59 years and 174 days, Fukushima’s captain converts two penalties and becomes the Cup’s oldest scorer.

Four Movements, One ¥10 Million Question: Who Is Japan’s Fittest?
Thirty-three finalists have advanced through 11 open qualifiers, with three heats left before the ¥10 million final.

A Full Count at the End of a Six-Run Climb
The Fighters erase a six-run deficit before Kotaro Kiyomiya’s 10th-inning single wins it 8–7.
Music & Culture
Stories 13–15
The Festival Behind the Festival: How 200 Volunteers Bring the World to Nanto
More than 200 volunteers sustain a 35-year world-music festival as part of Nanto’s civic life.

Please Touch the Art: Yokohama Returns Senior-Home Residents to Public View
Roughly 100 works by senior-home residents include an exhibition designed to be experienced by touch.

An Island Becomes the Instrument: Kodo Brings the World Home to Sado
Kodo, Miyake taiko, Mongolian music, workshops and markets make Sado the instrument in year 39.
Four Selections from August 20
Bridge AI, long-term trauma, shelter leadership and art on television

Twenty Seconds, 730,000 Bridges: What Osaka’s Plugbot Can—and Cannot—Change
Can fast image analysis return scarce engineering time to judgment and repair?

Fifteen Years After 3/11: What 1,291 Survivors Taught Us About Watching Trauma Change
Changes during the first year were more informative than initial severity alone—evidence against one-and-done care.

From Helping in the Shelter to Deciding How It Runs
Seven sessions prepare 20 women to make shelter decisions, not merely help carry them out.

The Art of the Unafraid Question: How Goro Yamada Opened the Museum Door
Curiosity, editing and comedy turned art knowledge into public hospitality.
20. Today’s Art Choice
Kawanabe Kyosai · The wild intelligence of the brush
Today’s Art Choice: Kawanabe Kyosai and the Wild Intelligence of the Brush
Kano-school discipline, demons, animals, satire and live painting meet in Kyosai. His public-domain demon album and a current Kobe exhibition reveal how apparent chaos rested on observation, memory and exact technique.
Read the art long-form →