TUESDAY EDITION · September 15, 2026Tuesday, September 15, 2026 日本語
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TUESDAY EDITION · September 15, 2026
Tuesday Edition · September 15, 202615 reports + today’s art + 6 from September 14
1 US Dollar = 153.75 Japanese YenLast updated · September 14, 2026, 10:04 JST
Tuesday, September 15, 2026

A changing economy. A vote in Okinawa. Traditions with a future.

Today’s five desks connect the yen and AI materials with coastal research, regional recovery, sporting ambition and living craft. Kiyohara Yukinobu’s birds and bending millet offer a quieter place to pause between the reports.

An imagined Bank of Japan framed by millet, with coins and trading papers in the foreground
BUSINESS & ECONOMY · THE YEN

Investors Turn Bullish on the Yen. Japan Faces a More Complicated Gain.

A turn in yen futures positioning puts the BOJ’s September meeting in focus. Cheaper imports, higher borrowing costs and changing export earnings will reach the economy at different speeds.

Read the full report →

Tuesday, September 15, 2026

Four more ways into today

Photonics, Okinawa, volleyball and Kawai Kanjirō

Business & Economy

Yen, wholesale prices, materials for AI

Science & Technology

Photonics, material bonding, coastal observation

Communities

Okinawa, fire response, Kyushu rail

Sports

Volleyball, autumn sumo, championship shogi

Culture & Craft

Bonsai, contemporary art, mingei
AI-generated illustration inspired by Kiyohara Yukinobu, showing two quail beneath bending millet
16 · TODAY’S ART CHOICE

Kiyohara Yukinobu: An Edo Painter’s Quiet Power

Delicate birds and bending grain open a larger story about a woman painter’s command of composition and her place within Edo Japan’s artistic traditions.

Read the art essay →

Kiyohara Yukinobu, Quail and Millet, late seventeenth century. Displayed image: Japan.co.jp AI-generated illustration inspired by Yukinobu; not a reproduction of the original. View illustration

Six selections from September 14

Business, science, communities, sport and craft

17An AI editorial illustration inspired by Tani Bunchō, showing vegetables, an office refrigerator and Tokyo.
From September 14

KOMPEITO Takes Office Vegetables to the Stock Market

From produce e-commerce and a neighbourhood greengrocer to workplace refrigerators, OFFICE DE YASAI built a new route from farms to desks. Its listing opens a closer look at distribution, growth and the economics of healthier office meals.

18An AI editorial illustration inspired by Tani Bunchō, showing asteroid Ryugu and mineral samples.
From September 14

Ryugu’s Minerals Keep Time with the Early Solar System

Samples returned by Hayabusa2 offer clues to when Ryugu’s parent body formed. Carbonate minerals provide a window onto the timing and temperatures of processes that preceded the asteroid we see today.

19An AI editorial illustration inspired by Tani Bunchō, showing Osaka’s Higashiyokobori River beneath an expressway.
From September 14

Osaka Reclaims Everyday Life Along Higashiyokobori River

A historic moat, a trade route and a waterway beneath an expressway: Higashiyokobori has carried many roles. Public-space experiments ask how walking, resting and neighbourhood activity can find a place alongside essential infrastructure.

20An AI editorial illustration inspired by Tani Bunchō, showing a disaster drill and supply deliveries to a mountain community.
From September 14

When Roads and Phones Fail: Japan Practises for Isolated Communities

Lessons from Noto turn attention to the first questions after a village is cut off: who remains, what they need and how help can reach them. Preparedness means planning information and deliveries as carefully as rescue routes.

21An AI editorial illustration inspired by Tani Bunchō, showing junior tennis players competing in Hyogo.
From September 14

From Miki to the World: The Next Generation of Japanese Tennis

The Japan Open Junior tournament in Hyogo connects young players with international competition and the ranking ladder. Beyond the scorelines lies a demanding system of qualification, experience and opportunity.

22An AI editorial illustration inspired by Tani Bunchō, showing contemporary lacquer works in a gallery.
From September 14

Twenty Years of Urushi no Katachi: Lacquer That Keeps Changing

Tokyo Geidai’s exhibition brings teachers and graduate students into a shared conversation through lacquer. Long-established techniques become starting points for new forms, rather than boundaries around what the material can express.

Today’s 16 images are AI-generated editorial illustrations inspired by Kiyohara Yukinobu. They are not documentary photographs or reproductions of her paintings. The six September 14 selections retain their Tani Bunchō-inspired illustrations. All displayed images are hosted on Japan.co.jp.

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